The current flagship, the H8000FW, comes in at around $5000 and offers deep algorithms, extreme flexibility, dual-engine architecture, and a famous sound that’s hard to beat, even by the very newest and most powerful plug-ins. Its baby brother, the Eclipse, has been out for over a decade (it was my very first product review for Recording, way back in 2002!), but constant updates keep it relevant and very much in the top tier of hardware multieffects processors. One thing that the H8000FW (and the Eclipse to some extent) are known for is stunningly clear, yet highly programmable reverbs. Eventide’s Blackhole reverb algorithm is quite famous nowadays, a capstone of the DSP4000 rack from years past that’s still available today in both the H8000FW and in the Space reverb pedal (reviewed July 2011). Luckily for those without pro studio budgets or deep pockets, Eventide has begun to bring some of these reverb algorithms into the native plug-in world. The first was a single room algorithm from the classic SP2016, and the second was… oh, yes!… the Blackhole! I used to own an H8000FW losing the Blackhole reverb was pretty heartbreaking, so I was happy to have it back. Recently Eventide has continued moving into the plug-in world with UltraReverb. This plug-in contains nine reverb algorithms from the H8000FW. Make no mistake, it’s not like having a full-on H8000FW in the box.

#EVENTIDE H910 HARMONIZER USAGE HOW TO#.

Eventide h910 harmonizer plugin review